STATEN ISLAND: RIME / TOPER
Graffiti giants like Rime and Toper made Staten Island their stomping grounds during their New York City come up. And even if it is a place known for welcoming transitory residents (see some notable members of the infamous Wu-Tang Clan) or cats from Jersey— since the Bayonne Bridge connects to the Garden State— Staten Island breeds them hard. This is probably why powerhouses like Rime and Toper don’t find it too hard to “regulate” on walls and surfaces like they had to commandeer growing up writing together.
THE BRONX: WANE
Mention the Bronx in a few places around the globe and you’re likely to get one of two responses from those that know— intrigue or dismay. Both stem from the same source, the borough’s infamy. Infamy for the sheer poverty that has historically plagued it, and ironically, created the conditions that birthed one of the most revered pockets of early, bourgeoning hip hop culture. Ask Wane COD and he’ll probably tell you firsthand what his esteemed borough meant to him and his style in the early ’80s, when he dived headfirst into the language that’s taken him around the world— graffiti.
Where Brooklyn at? Apparently everywhere and anywhere if you let ubiquitous cuts like The Notorious B.I.G.’s infamous “Madison
Square Garden Freestyle” call it— a staple at any hip hop party’s peak. Though the idea is more metaphoric than anything— being
everywhere at once really defies the laws of physics— Brooklyn sons like graffiti legend Chino BYI can testify to covering more County of Kings ground than most.
The “city that never sleeps” is comprised of five boroughs. However, you’d be hard-pressed to find anyone that doesn’t categorize Manhattan as the quintessential mainland— no matter what partialness to the others. The 13-mile stretch (length) is filled with more history, relics, and stories than most can imagine. The magic of the most hustle and bustle lays here.
Harlemite and native New Yorker Micah, of über-successful local lifestyle brand Only NY, knows this probably better than anyone. He cites the city’s unlimited sights, sounds, and pulses as the unlimited source of inspiration for his art. Well, that and his fondness for the tranquility of nature— the complete opposite of the urban jungle. This limbo or understanding of balance, if you will, is what best describes his art’s flow, a parallel to the city’s momentum and pace.
QUEENS: SMART CREW
The international soccer community is in a frenzy this summer thanks to the massive convergence taking place in Brazil. This means folks from different countries, cities, and boroughs even— all over the globe— are at attention and in grand hopes of their team’s road to victory. Queens, New York City isn’t immune to the highly contagious fever. Considering that the borough is a melting pot of soccer-loving ethnic communities like Colombians, Jamaicans, Mexicans, Germans and Greeks, among others, it certainly won’t be difficult to find locals gathered up at bars, restaurants, delis, or even in plain public, tuning in to the play-by-play of the latest match.
It was for this reason that the Queens-founded Smart Crew decided to make use of their special box truck canvas, provided by Nike NYC, to commemorate the spirit of the biggest soccer event on the planet. Formed circa 1997 by original members MEY, SYCO13, and LUK, the diverse squad has been gaining attention and strength since. They approach graffiti in a very collective and calculated manner that very much reflects, not only their name and iconic “S” with graduate cap emblem, but also the diverse unity found in soccer culture. The crew gets down like the teams get down!
Toper, Serval, Rime, 2014
See the full interview and photos HERE
Some folks got together under the city and threw a happening party in an unfinished part of NYC’s subway system. Some graffiti that was done there in early 2000 catches off in some of the party pics. In 2000 there was nothing down there but bare walls and space, glad it’s gone to some good use. See the whole story and photos at Gothamist.com
Gorey, Horfe, Cony, Tomek, Saeyo, Mosa, Esso, Skub
Opening Reception: Saturday, May 11, 2013 from 6-10pm
Pop-up Location: 154 Stanton St. (@ Suffolk St.) New York, NY 10002
Preview Catalog: email@example.com
Klughaus, in collaboration with LRG and Brisk, is excited to announce PALINGENESIS, a special pop-up exhibit in New York City’s Lower East Side featuring Gorey and Paris’ prolific PAL (Peace and Love) Crew. The group exhibition features a roster of internationally-renowned artists including GOREY, HORFE, CONY, TOMEK, SAEYO, MOSA, ESSO and SKUB.
One of the most prominent graffiti crews in Paris, PAL is united by its members’ shared love of creative expression. With GOREY as a forefather, PAL has developed a unique movement and style of graffiti that is completely its own. While there is a complicated, yet fascinating line between graffiti and fine art, the collective has made a seamless transition into the art world in a tasteful way that does not categorize the work as simply “graffiti,” yet sustains the collective’s distinct styles and energy within a gallery setting.
The PALINGENESIS exhibition will showcase the collective’s debut in the United States as well as its artistic re-birth as evolving fine artists. Gorey & PAL’s incorporation of fine art elements into their work on the streets is pushing the concept of graffiti in a new and refreshing direction and we are thrilled to collaborate on their stateside debut.
The exhibit will be on display through May 19, 2013
Photos from their recent wall in the Lower East Side of Manhattan…
Australian duo DABS MYLA returned to their hometown of Melbourne for their first solo show on native soil in four years. This Artist Driven spotlight sees the couple adding their colorful works to various surfaces in the city – with subtle nods to other Artist Driven artists like TYKE, POSE, KC, CRAOLA and VIZIE added in for good measure – before heading to Metro Gallery for an LRG-sponsored show packed to capacity with people energized to see the installations they had created.
Sada Okwsa by Takeshi Terauchi and The Bunnys
Flood’s New Light by Thee Oh Sees
Shot and edited by Jonas Marnell