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SABER SKYWRITING OVER NEW YORK CITY

Earlier today, SABER took his messages against presidential candidate Mitt Romney’s position on cutting government subsidy programs supporting the arts to the skies over lower Manhattan.



Hear more about Saber’s messages in the video below…

Photos taken from AnimalNewYork


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THE HUNDREDS MAG ANSWERS AND SHIT

In a recent issue of The Hundreds magazine I filled out a Playmate type questionnaire to go along with a Hundreds / Seventh Letter collaboration. If you’re like me and haven’t seen the issue, here’s what I said…




I remember watching Death Wish 2 while writing the above. Check Fishburne down with the rag tag rapists…



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SABER’S FIGHT TO END MURAL MORATORIUM

Statement from the Artist:

9.19.2011

End Mural Moratorium. Art Is Not A Crime…

The reason I hired five jet planes to sky write over City Hall and downtown Los Angeles is to bring awareness to how ridiculous a moratorium on public art is.

The city states that all public murals are signage, effectively banning art from the walls of Los Angeles. And it is removed at the taxpayers’ expense. Money is given to private graffiti removal companies, who have broken onto private property to paint murals beige. The owners of small businesses where murals have been painted have been harassed and threatened with fines if they do not remove the artwork. Police officers raid homes and places of work, intimidating artists and building owners. During this time of economic crisis, “mural signs” are an easy target for the city to extract money. This moratorium is a clear violation of the first amendment right to free speech and enforcement for these unreasonable laws is a complete waste of taxpayer funds.

To put things in perspective I recently visited the beautiful set of murals inside the Terminal Annex Building on Alameda. This mural was painted in 1941-44 and was funded by the “Works Progress Administration” (WPA). Murals are just a part of the legacy of a national program that put the country to work during the Great Depression.

Fast-forward to the Great Recession, taxpayer money is now used to obliterate all traces of the artwork my generation have created. I believe this is city-funded censorship pushed by lawmakers with personal vendettas. Potential jail time is more probable for us than the opportunity of creating an artistic legacy for the next generation. In a city that used to proudly call itself the “Mural Capitol Of The World,” the officials who enforce this ban should be ashamed to call themselves “Angelinos.”

Art Is Not A Crime… End Mural Moratorium.

- SABER

SIGN THE PETITION HERE

Below photos housed from The Hundreds
















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NEW SABER PRINT – RWB KEPRAGE

Available ONLY @ Opera Gallery NYC starting on May 7th
RWB KepRage, 2011

Signed & numbered regular edition of 200

12 color serigraph on coventry rag, Size: 28 1/4 x 36 3/4
$250 regular edition (Shipping: $10 Domestic/ $20 International)

SABER / MAY 6TH, 2011 3:37 PM
NEW SABER PRINT – RWB KEPRAGE
Available ONLY @ Opera Gallery NYC starting on May 7th

RWB KepRage, 2011

Signed & numbered regular edition of 200

12 color serigraph on coventry rag, Size: 28 1/4 x 36 3/4

$250 regular edition (Shipping: $10 Domestic/ $20 International)

Thanks to all for your support of the show! I’ve gotten your emails and tweets, for everyone that could not get to NYC today, the gallery will take email orders:

Email NYCA@OperaGallery.com your full name, shipping address, phone number, email and credit card details.
Visa, Mastercard, Amex are accepted. No paypal, checks or cash. First come, first serve – 1 print person
-

Opera Gallery 115 Spring Street, New York, NY
The American Graffiti Artist can be seen at Opera Gallery NYC from May 6 – 18


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SABER – The American Graffiti Artist | Opera Gallery

Among the thousands of people who make up the graffiti community around the world, there are few names that carry the same legendary quality as SABER. Born in the Los Angeles suburb of Glendale, SABER was raised by creative parents and discovered his passion for art at an early age. At 13, his cousins introduced him to graffiti when they took him to see the spray paint-covered Belmont Tunnel. From that moment on, he was hooked. After honing his skills on local walls, SABER joined MSK, and was later inducted into legendary piecing crew AWR.

SABER was already a fixture in the Los Angeles graffiti scene by 1997 when he completed the largest graffiti piece ever created. His piece on the sloping cement bank of the Los Angeles River was nearly the size of a professional football field, and took 97 gallons of paint and 35 nights to complete. In a famous photograph—taken by his father just after it was finished—SABER stands on the piece and appears as a tiny speck amid a giant blaze of color. It catapulted SABER to legend status in the graffiti world.

SABER began exhibiting in his fine art in 2002. While known for his elegant and aggressive abstract letterforms, SABER’s artistic output has also included drippy, surreal cityscapes and his painstakingly rendered “new reality” canvases. SABER has also worked corporate projects with Hyundai, Scion, Boost Mobile, Roland Sands Design, Montana Paint Company, and Karmaloop. His monograph, SABER: MAD SOCIETY, complete with stories of his graffiti misadventures, was released by Gingko Press in 2007 and is now in its second printing.

In October 2010, SABER released a video in which the year’s heated debate about healthcare was spray painted over the American flag. While some saw it as desecration, SABER advocated for healthcare reform in the video, revealing that he had epilepsy and was un-insurable. This work led SABER to create a large group of American flag paintings called the Tarnished series.

In 2011 SABER’s artwork is featured in two museum exhibitions, “Street Cred” at the Pasadena Museum of California Art and “Art in the Streets” at MoCA Los Angeles.






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